Madeline von foerster wiki

Madeline von Foerster

INTUITION/IMAGINATION

Are great ideas based on intuition and do they reveal themselves in a kind of clear as well complete version that just has to be realized? Or is it endless trials and errors (after the first spark) that result in constant developments up until the final result?

Once in a long while, an extraordinary idea will simply arrive in my brain in complete form.  This is the absolute exception, however – it almost never occurs. Your second description fits my normal creative process. I find that most of my ideas benefit from rethinking, refining, and often, being replaced by better ideas. 

An important factor for me when developing an idea is to not get attached.  I sketch on lined notebook paper, the back of photocopies, or any other disposable paper. This reassures my brain that I am not trying to make art; it disinhibits me and releases my creativity.

What if there is a deadline, but no intuition? Does the first fuel the latter maybe?

I don’t often find myself in this situation, but if I do, I usually have some unused ideas laying around which I can make use of.

INSPIRATION

What inspires you and how do you stimulate this spec

"Madeline von Foerster is a very gifted and highly original artist, who brings new imagery and a novel approach to conservation -- which we need." - Edward O. Wilson

To create her unique paintings, Madeline von Foerster uses a five century-old mixed technique of oil and egg tempera, developed by the Flemish Renaissance Masters. Although linked stylistically to the past, her paintings are urgently relevant to the Anthropocene, exploring the human relationship to nature with such themes as deforestation, wildlife trafficking, and human-caused extinction.

Von Foerster's artworks are in public and private collections worldwide, including the Nevada Museum of Art, the Whatcom Museum, and the City Museum of Cologne. Her work has been featured in numerous publications, including " Painters of Tomorrow" (Thames and Hudson, ), and an eight-page feature in Germany's "Art" Magazine. She was also the subject of a television portrait on ARTE's "Metropolis," broadcast in Germany and France. Born in San Francisco, von Foerster studied art in California, Germany and Austria. After fifteen years in New York City, she now resides in Germany with her husband.


Madeline von Foerster was born in San Francisco to german-austrian parents. Now lives and works in Germany.

Studied illustration at the Californian College of Arts in San Francisco. After completing her studies, she relocated to New York city at the suggestion of one of her teachers and resides there to this day.

To create her unique paintings, Madeline von Foerster uses a five century-old mixed technique of oil and egg tempera, developed by the Flemish Renaissance Masters.



Although linked stylistically to the past, her paintings are urgently relevant to the Anthropocene, exploring the human relationship to nature with such themes as deforestation, wildlife trafficking, and human-caused extinction.

Von Foerster's artworks are in collections around the world and have been featured in numerous publications, including " Painters of Tomorrow" (Thames and Hudson, ), and an eight-page feature in Germany's "Art" Magazine.

She was also the subject of a television portrait on ARTE's "Metropolis", broadcast in Germany and France.



















Madeline Von Foerster

Design Encyclopedia


From Design+Encyclopedia, the free encyclopedia on good design, art, architecture, creativity, engineering and innovation.
Madeline Von Foerster

Madeline Von Foerster is a highly acclaimed American illustrator and designer who has made a name for herself through her unique blend of traditional and digital media. Her works are known for their whimsical style and bold use of color, which have earned her recognition from both fans and critics alike. Madeline's passion for design is evident in every piece she creates, and her willingness to take risks has allowed her to create captivating works of art that have been praised by art enthusiasts around the world. One of the key aspects of Madeline's work is her ability to push the boundaries of traditional art through her use of digital media. She is constantly experimenting with new techniques, materials, and concepts, never settling for the status quo. This has allowed her to create works that are both aesthetically pleasing and thought-provoking, and has earned her a reputation as a pioneering force in the world of design and art. Another important aspect of Madeline's work is her


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