MICHELOZZO DI BARTOLOMMEO ()
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Architecte et sculpteur florentin, Michelozzo di Bartolommeo se forme, très jeune, dans les ateliers de la monnaie de Florence et collabore avec Ghiberti à la première porte du Baptistère, puis au Saint Matthieu d&#;Or San Michele. Il s&#;associe ensuite avec Donatello, travaillant notamment à la réalisation des œuvres en bronze dont celui-ci est chargé : le Saint Louis d&#;Or San Michele, le tombeau du pape Jean XXIII, la chaire de Prato. Moins soucieux que lui de pittoresque, Michelozzo s&#;attache davantage à l&#;élaboration d&#;un répertoire décoratif, inédit dans les éléments d&#;architecture, accompagnant statues et bas-reliefs, au tabernacle d&#;Or San Michele par exemple.
Son œuvre d&#;architecte est plus originale. Il travaille d&#;abord à Venise, où il a suivi Cosme de Médicis en exil (). Aucune de ses réalisations vénitiennes ne nous est parvenue. Rentré à Florence, il est chargé de la construction du couvent et de l&#;église de Saint-Marc, édifices de la plus grande simplicité que viendront enrichir les peintures de Fra Angelico. Il participe avec Alberti à l&#;église de l&#;Annunziata de Florence.
Through innovative, clean and intricate craftsmanship, Michelozzo carved himself a legacy—one that has reverberated throughout the streets of Italy ever since.
Michelozzo di Bartolomeo () was an Italian architect and sculptor. His vast contribution to the early Renaissance movement solidified him as one of the most prolific architects of all time. His ingenuity helped pave the way for the development of the central palazzo configuration that defines the visage of Italy—even to this day.
Michelozzo was born in Florence the son of a tailor. Very little is known about the architect’s childhood apart from the fact that he was bred into a relatively wealthy family. From a young age, he became very skilled at casting bronze, an expertise that would lead to two outstanding partnerships during his career.
The first occurred in the early s with accomplished goldsmith and sculptor, Lorenzo Ghiberti. One of Michelozzo’s most prominent projects with Ghiberti was the North Doors () of the Baptistery, which depict stories told in the New Testament.
The second of his partnerships was with Donato di Niccolò di Betto Bardi, better known as Donatello. Under his tutelage, Michelozzo a
Michelozzo di Bartolomeo
Michelozzo di Bartolomeo '. Arquitecto y escultor italiano, definió lo más personal de su estilo al combinar el gótico italiano y el estilo clásico.
Síntesis Biográfica
Nacimiento
Nació en Florencia, en con el nombre Michelozzo di Bartolomeo Michelozzi. Hijo de un sastre.
Comienzos
En entró como aprendiz en el taller del escultor Lorenzo Ghiberti, en la realización en bronce de la puerta norte del baptisterio de Florencia.
Trayectoria
Entre y trabajó con el escultor Donatello e hizo la tumba para el antipapa Juan XXIII (en el baptisterio). Más tarde fue el arquitecto mayor de la familia Medici. Además de las villas que proyectó para los Medici, Michelozzo realizó la Biblioteca de San Giorgio Maggiore en para Cósimo Medici. Sin duda su aportación más interesante la constituye la construcción del Palacio Medici Riccardi, en la Vía Larga. El palacio fue realizado para los Médicis, entre y y sufrió una ampliación debida a los Riccardi en el siglo XVII. Con este edificio Michelozzo sienta las bases de la tipología de palacio renacentista y elimina cualquier tipo de orden columnario en la fachada y lo divide en tres cuerpos que se reducen en altur
Michelozzo di Bartolommeo, l&#;architetto dei Medici
Michelozzo di Bartolommeo, (, Firenze – ), noto anche come Michelozzo, Michelozzi o Michelozzo di Barlomeo, è stato un architetto e scultore, legato soprattutto alla famiglia dei Medici, che ha contribuito in maniera rilevante allo sviluppo dell’architettura rinascimentale fiorentina.
Allievo del celebre scultore Lorenzo Ghiberti, nella cui bottega acquisì una particolare maestria nella fusione del bronzo. Con questo grande maestro nel partrecipò alla realizzazione di “San Matteo” per la chiesa di Or San Michele a Firenze.
A partire dal Michelozzo stabilì un sodalizio con Donatello con il quale lavorò fino al fino al Insieme realizzarono diverse tombe di impostazione architettonico-scultorea e il pulpito della cattedrale di Prato (). Collaborò inoltre con Luca della Robbia nella realizzazione della porta bronzea della sagrestia del Duomo di Firenze, aderendo a un classicismo sobrio e lievemente accademizzante.
La carriera Michelozzo di Bartolommeo è strettamente ai Medici, sui principali committenti. Lo scultore seguì Cosimo de’ Medici in esilio a Venezia nel e, dopo il trionfale ritorno di Cosimo al poter
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