Entrevista com banda SOJA
Publicada em 09, Nov, por Marcela Antunes
A banda de Reggae SOJA desembarcou no Brasil para realizar turnê de seu novo álbum Poetry in Motion, em quatro capitais.
Poetry In Motion é o sétimo álbum da banda e conta com faixas que traz muito a raíz e a essência do SOJA de vinte anos atrás, com mensagens mostrando o quão importante é termos amor em tempos de guerra, nos quais vivemos hoje.
O grupo com 8 integrantes, que já está na estrada por duas década e já foi indicado duas vezes ao maior prêmio musical Grammy, conversou com a gente em um papo bem descontraído e nos contou mais sobre sua nova turnê e o álbum, confira:
MUSICÃO: O que você pode nos contar sobre o processo de gravação de Poetry In Motion?
SOJA: O processo de gravação foi sobre voltar as raízes do esforço do nosso time, onde nós estávamos compondo, escrevendo, treinando, criando música juntos e usando óculos divertidos.
MUSICÃO: Vocês tiveram alguma dificuldade no processo de criação do álbum? Como por exemplo, decidir quais músicas vão para o álbum e quais não?
SOJA: Na verdade, não. Todos nós votamos e decidimos então qual música entrará no álbum.
MUSICÃO:
Best rock star biographies and memoirs: it&#;s pure debauchery
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We're talking sex, drugs and bloody good stories
Rock stars of yesteryear had all the fun. The best rock star biographies shed light on those glory days, answering questions you didn’t know you wanted answering.
From tales of debauchery to gritty insights into life on the road, the best biographies share the low points as well as the highs. Teasing details about their lives, many of these access-all-areas biographies allow you to be a fly on the wall for some of the most dramatic moments in musical history.
UPDATE: We've added a couple more key picks from the world of rock autobiographies. Elton John's Me makes the cut for the sheer style of its retelling of one of the iconic careers in rock music. And for those after a less classic biopic-style approach should check out Viv Albertine's memoir Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. It's a top read.
Here we’ve picked out a selection of the
For more than two decades, SOJA have elated audiences across the globe with their fresh yet timeless take on roots reggae, a sound born from their shared passion for making music that transports and inspires. On Beauty in the Silence—their first new album in four years—the two-time Grammy Award-nominated band deepens that communal spirit by collaborating with artists from all corners of the reggae world, including the likes of UB40, Slightly Stoopid, Stick Figure, and Rebelution. Fueled by the sheer force of their connection and chemistry, Beauty in the Silence ultimately makes for a much-needed antidote to fractured times, infusing so much warmth and wisdom and unstoppable joy into each and every track.
Like ’s acclaimed Amid the Noise and Haste (a Grammy nominee for Best Reggae Album), the title to Beauty in the Silence references the opening lines of Max Ehrmann’s beloved poem “Desiderata”: “Go placidly amid the noise and haste, and remember what peace there may be in silence.” “My dad had that poem memorized, and before I’d go out on tour he’d sort of whisper it in my ear,” says SOJA frontman Jacob Hemphill. “To me it’s a reminder of what we lose when we get caught up in th
The 50 Greatest Rock Memoirs of All Time
So many CBGB-era punk memoirs out there, but Richard Hell’s is unique — poetic yet never pompous, bemused without corny punch lines. As a year-old Kentucky kid, he runs off to NYC to be a poet, but ends up a rock & roller. “‘Sacred monster’ is definitely the job description,” Hell writes. “Being a pop star, a front person, takes indestructible certainty of one’s own irresistibility. That’s the monster part.” He depicts his music comrades — Tom Verlaine, Robert Quine, Patti Smith, Lester Bangs — and all the girls he’s loved before. (Hell was the punk Leonard Cohen in that department.) He quips about his popularity with critics, “because they were predisposed to favor noise, intellect, and failure.” In the final scene, he runs into his old nemesis Verlaine for the first time in years — flipping through the dollar bins outside the Strand Bookstore — and walks away in tears, musing, “We were like two monsters confiding.”
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